These are occasional articles that cover some of the more technical aspects of tapestry weaving or which provide insights into the equipment used.
Why Worsted? Janet Phillips, Lin Squires & Matty Smith
Worsted wool is the result of a very specific way of both preparing and spinning wool fibre. You might like to read this article which appeared in The Journal in Summer 2013.
How to use the Colour Tool. Lin Squires.
Some examples of ways in which the use of a colour tool can assist when planning the palette for a tapestry. As a companion to this article, we have a chart that maps our dyed worsted yarns against both the Colour Tool and our own Colour Groups.
Love's Philosophy. Michael Crompton
This is an article exploring in some depth, the ways in which a tapestry artist responds to ideas and develops a design.
Warp and Weft. Matty Smith
This article seeks to provide some guidance on the choice of warp, the sett or spacing of a warp and the thickness of the wefts.
Bobbins. Andrew Dickinson
Andrew describes how he makes his artisan bobbins, how he selects the different woods and how he has developed the concept of the bobbin to extend beyond its function as a weaving tool.
Colours in Tapestry. Michael Crompton
Michael responds to a weaversbazaar survey about the number of colours weavers use when creating a woven image.
Stabilised Wood. Andrew Dickinson.
In this short article, Andrew describes what 'stabilised wood' is. He uses it for a dramatic collection of metal tipped bobbins.
Backing Shaped Tapestries. Margaret Jones
In this article, Margaret Jones explains techniques for backing shaped tapestries.
Using Wool As Warp. Lin Squires
Lin summarises feedback from a number of testers exploring our dyed and undyed wool used as warp.
All about Moths. Lin Squires.
This short article explains the background to current practices on moth treatments in the UK yarn industry and also how to protect your own yarns from moth damage.
Triumph of Light over Darkness. Michael Crompton
Once again Michael shares insights with us on how his design for a tapestry has emerged and evolved. He explores how the subject matter is seen through different cultures and times as well as how his design reflects the subject.